In the poem "America" by Tony Hoagland, a student with blue hair and a tongue stud describes America as a maximum-security prison made of RadioShacks and Burger Kings, where even driving to the mall feels like being buried alive in the folds of the thick satin quilt of America. The speaker reflects on his own sense of being asleep in America and not knowing how to wake himself, and questions whether Marx could have imagined the nightmare of 100 channels of 24-hour cable and the pleasure boat of consumerism floating on the river of bright merchandise while others drown underneath.
Then one of the students with blue hair and a tongue stud
Says that America is for him a maximum-security prison
Whose walls are made of RadioShacks and Burger Kings, and MTV episodes
Where you canāt tell the show from the commercials,
And as I consider how to express how full of shit I think he is,
He says that even when heās driving to the mall in his Isuzu
Trooper with a gang of his friends, letting rap music pour over them
Like a boiling Jacuzzi full of ballpeen hammers, even then he feels
Buried alive, captured and suffocated in the folds
Of the thick satin quilt of America
And I wonder if this is a legitimate category of pain,
or whether he is just spin doctoring a better grade,
And then I remember that when I stabbed my father in the dream last night,
It was not blood but money
That gushed out of him, bright green hundred-dollar bills
Spilling from his wounds, andāthis is the weird partā,
He gasped āThank godāthose Ben Franklins were
Clogging up my heartā
And so I perish happily,
Freed from that which kept me from my libertyāā
Which was when I knew it was a dream, since my dad
Would never speak in rhymed couplets,
And I look at the student with his acne and cell phone and phony ghetto clothes
And I think, āI am asleep in America too,
And I donāt know how to wake myself either,ā
And I remember what Marx said near the end of his life:
āI was listening to the cries of the past,
When I should have been listening to the cries of the future.ā
But how could he have imagined 100 channels of 24-hour cable
Or what kind of nightmare it might be
When each day you watch rivers of bright merchandise run past you
And you are floating in your pleasure boat upon this river
Even while others are drowning underneath you
And you see their faces twisting in the surface of the waters
And yet it seems to be your own hand
Which turns the volume higher?